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🎨 5 Reasons You’ll Be Amazed by Giovanni Battista Moroni at the Royal Academy of Arts
Art lovers, rejoice! For the first time ever in the UK, the Royal Academy of Arts is hosting a major, comprehensive exhibition of works by Giovanni Battista Moroni (c.1520–1579)—and trust me, it’s a must-see.
Last week, I had the privilege of joining a few fellow bloggers for an exclusive curator-led preview with Arturo Galansino, the passionate scholar behind this unforgettable show. With 45 masterworks on display, this exhibit is a stunning tribute to an often-overlooked genius of the Italian Renaissance.
🖼 1. It’s Moroni’s First Major UK Survey—Ever
While Moroni is well known to art historians in Italy, his name is still a hidden gem here in the UK. That’s exactly why this exhibition matters. Arturo Galansino, the show’s curator, described Moroni as “a true unknown genius,” and after walking through the galleries, I couldn’t agree more.
The exhibition begins by comparing Moroni’s early work with that of his teacher, Moretto da Brescia, another underappreciated master. From there, the layout unfolds chronologically, offering a journey through Moroni’s evolving mastery of form, texture, and light.
đź–¤ 2. Moroni’s Use of Black Will Stop You in Your Tracks
If there’s one thing that makes Moroni’s work gasp-worthy, it’s his unparalleled use of the color black. Photos truly don’t do it justice. In person, Moroni’s ability to render rich black fabrics with texture, weight, and shimmer is nothing short of breathtaking.
From velvet gowns to satiny sleeves, the details in these dark tones convey luxury, authority, and intimacy all at once. It’s one of the reasons why Moroni’s portraits feel both formal and deeply personal.
📸 Tip: Look closely at the folds and layering—every thread tells a story.
⛪ 3. The Religious Works Offer a Unique Perspective
Moroni’s religious works are more than devotional—they invite you, the viewer, to become a witness to the sacred moment. One striking example is The Last Supper (1566–1569), where the arrangement invites a sense of quiet reverence. You’re not just looking at the scene—you’re placed within it.
This curatorial decision to showcase both portraiture and religious art side-by-side reveals Moroni’s range and innovation, making the exhibit truly feel like a complete picture of his life’s work.
đź‘— 4. The Detail in the Clothing is Pure Renaissance Luxury
From jewel-toned silks to finely embroidered sleeves, Moroni’s subjects are dressed to impress—and thanks to his incredible eye for texture and pattern, you’ll feel like you can reach out and touch the fabrics.
His portraits showcase 16th-century fashion in all its opulent glory, offering a fascinating look at Renaissance society’s wealth, taste, and status. If you’re a fan of costume history or period dramas, this alone is worth the visit.
🧑‍🎨 5. Insight from Curator Arturo Galansino Adds Depth
One of the highlights of the blogger event was getting to hear from Arturo Galansino himself. His insight into Moroni’s life, methods, and significance elevated the experience even more. His enthusiasm for bringing Moroni’s work to a UK audience is infectious, and his belief in Moroni as a “jewel of the Renaissance” shines through every room.
Meeting fellow bloggers like Erin, Lizzie, Nigel, and Tabish made the day even more memorable. (Shoutout to my new art-loving friends! đź‘‹)
đź“Ť Exhibition Details
Location: Royal Academy of Arts, London
Dates: Now through 25 January 2015
Opening Hours:
🕙 10am – 6pm daily
🌙 Fridays open late until 10pm
Ticket Prices:
🎟 £13.50 standard | Concessions available
👶 Free for children under 16 and Friends of the RA